Hopefully some video footage surfaces to compliment this apparently incendiary performance! To see this now that would be incredible and Janis on fire!
Big Brother Live In Concert at the Carousel Ballroom, 23 June 1968. (SONY/Legacy).
NOTE: (As of Sept 2000). I have word that Sony Music is at last ready to offer a contract agreeable to (most of) my terms, which means the album may actually get into production sometime soon.
I believe this album will be hailed as the definite Big Brother live album of all time. Perhaps on some other night they gave a better and more energetic performance, I don't know-- I wasn't lucky enough to be present at it. I was at this one, and I thought at the time it was exceptional. The important thing is, these tapes survived. This is Janis at her absolute peak, and the band was rarely so "on" as they were at these shows. They were kicking ass and having a hell of a good time. Listeners should realise that in those days we didn't yet have onstage monitors for the singers and they depended on the sound coming back from the hall and the sound of their instruments to find the pitch, so the singing sometimes is a bit off. That is how it was then and most multi-tracks of live concerts of the era were overdubbed later to "fix" this problem. Is that a "live album? (...Sort of.) This album is a real concert, warts and all. Working with Paul Stubblebine, the tapes of the weekend's concerts were transferred to digital using the HDCD encoding process. If played on a player with the Pacific Microsonics decoder chips, this will give essentially a 20-bit signal. Not all the tapes managed to make it through to the present, and I didn't have enough blank tape at the time to record all the shows. However, Sunday was far and away the hot night and we have all of that show. The sound is much better than I thought it would be, no tape hiss, and no noticeable distortion or evidence of deterioration of the recording media. This is surprising considering these tapes are 31 years old and have not always been stored under ideal conditions. In fact, I think the sound is a "monster". A unique character of the technique I used in my "diary" or sonic journals of that era was to put the PA signal in the left channel and all instruments not sent to the PA (most of them, usually) were placed in the right. The PA systems of the day were barely able to manage the vocals and drums. This odd sounding (to modern ears) technique produces a nice fat, three dimensional sound when it is played back. The sound is so hot and LIVE that I think few listeners will complain about the vocals and drums coming from one side. Turn it up good and loud! You could even try moving the speakers around, or use three channels, with the right side duped into a second outside channel, with the left channel as center! There are 13 songs from Sunday and one bonus track from Saturday on the album, which is 71 minutes long. The second version of Call on Me shows how different the band's interpretation of a song could be from one performance to the next. The album cover will be an adaptation by the artist, Crazy Arab, of the poster he did for an earlier show in May (BB cancelled that weekend). The set list will be along the right hand edge in the finished cover art.