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<?xml-stylesheet type="text/xsl" href="http://forums.wolfgangsvault.com/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Off-Topic Threads</title><link>http://forums.wolfgangsvault.com/forums/83/ShowForum.aspx</link><description>This forum is the home for threads that do not fit anyplace else in the Concert Vault forums.</description><dc:language>en-US</dc:language><generator>CommunityServer 2.0 (Build: 60217.2664)</generator><item><title>GREAT article on The Who in 1967 .....</title><link>http://forums.wolfgangsvault.com/forums/thread/10538.aspx</link><pubDate>Tue, 18 Dec 2007 15:05:11 GMT</pubDate><guid isPermaLink="false">0e5cae14-4d31-4649-9ae0-9c4cae6cf3ca:10538</guid><dc:creator>gatorgabe</dc:creator><slash:comments>0</slash:comments><comments>http://forums.wolfgangsvault.com/forums/thread/10538.aspx</comments><wfw:commentRss>http://forums.wolfgangsvault.com/forums/commentrss.aspx?SectionID=83&amp;PostID=10538</wfw:commentRss><description>&lt;P&gt;Thought some of you might have interest in a great article about the Who in 1967, which turned out to be a pivotal year in their existence. Check it out .....&lt;/P&gt;
&lt;P&gt;&lt;FONT size=6&gt;Flashback: &lt;EM&gt;The Who Sell Out&lt;/EM&gt; in 1967&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;The Who began 1967 as a scrappy London quartet best known in the U.K. By the end of the year, they were international sensations.&lt;/P&gt;
&lt;P&gt;Along with Jimi Hendrix and Big Brother and the Holding Company, the Who were catapulted to superstardom after playing a thrilling set at the Monterey Pop Festival that July. The year was also a creative watershed for the band, during which their live delivery crystallized and they released &lt;EM&gt;The Who Sell Out&lt;/EM&gt;, which yielded their first top-10 single "I Can See for Miles."&lt;/P&gt;
&lt;P&gt;For leader Pete Townshend, the period was especially galvanizing. He toughened up the band’s on-stage sound by experimenting with a variety of Gibson guitars, and Selmer and Marshall amps. Legend has it that Townshend even sawed a Marshall 8x12 cabinet in half to create a distinctive set of 4x12s. A tireless sonic warrior, Townsend and bassist John Entwistle’s desire to make the Who the loudest band in London compelled Jim Marshall to create his first 100-watt head. Hendrix’s arrival on the scene both inspired Townshend and increased his competitiveness.&lt;/P&gt;
&lt;P&gt;In part to differentiate his playing from Hendrix’s, Townshend turned to an arsenal of six strings leading up to &lt;EM&gt;The Who Sell Out&lt;/EM&gt;’s sessions, which made him an emperor of tone. Townsend’s most unique instrument was a beautif ........................................................&lt;/P&gt;
&lt;P&gt;PLEASE READ THE REST OF THIS ARTICLE HERE:&lt;/P&gt;
&lt;P&gt;&lt;A href="http://www.gibson.com/en%2Dus/Lifestyle/Features/Flashback%5F%20%5Fem%5FThe%20Who%20Sell%20Ou/"&gt;http://www.gibson.com/en%2Dus/Lifestyle/Features/Flashback%5F%20%5Fem%5FThe%20Who%20Sell%20Ou/&lt;/A&gt;&lt;/P&gt;
&lt;P&gt;Thanks for checking this out ......&lt;/P&gt;</description></item></channel></rss>